Category Archives: projects

Seven creative projects and small adventures I want to take on in 2025

In addition to continuing with my regular memorykeeping practice, I’m hoping to make more things and go on more small adventures this year. Here are seven creative projects and small adventures I’d like to take on in 2025:

1. Build a website from scratch

For what? I don’t know yet. Maybe one of the many iPhone photography projects I’ve got going on. Maybe for something I haven’t thought of yet. Back in the day when personal blogs were a thing, many of us learned basic HTML and CSS so we could customize our blog’s look and feel to our liking (who else remembers Katrina’s incredible labor of love Pugly Pixel? Or Elise‘s very beginner-friendly HTML e-courses and workshops?). It’s been about a decade since I’ve put any of what I once knew to use. I’d like to try. And I’d like to learn more than I did before.

2. Disposable camera

I’ve been wanting to do a film photography project for a while. I don’t have a film camera, nor can I afford one, and anyway I don’t know enough about photography to shoot on good film using a real camera and to get it developed. Not with these prices in this economy. What I do have are three 27-exposure disposable cameras, and what I do know is how to use them, and what I can afford-ish is to develop one (1) of them.

My disembodied hand holding three disposable cameras, still in their packaging, over an open drawer, in which they've been living for the last few years. Memorykeeping supplies and albums are in the bottom of the drawer.

These cameras are only (“only”) a few years old—I bought them in 2020 with the intention of using them to document the NINE coast-to-coast drives I made between DC-ish and Portland in 2020 and 2021—so I think the film’s still okay (?). We’ll see!

3. Photobooth photos

I love photobooths. Like, LOVE. Especially ones that still print black and white photos on film, which, sadly, seem to be nearing extinction. Still, whenever I see a photobooth, regardless of whether it prints in black and white or in color, or on film or is digital, I have to sit for a strip of photos. I don’t get the chance as often as I’d like—most photobooths here in the city are in bars and restaurants, two places that aren’t my scene. This year, I’d like to find some of the photobooths in the city that aren’t in bars and restaurants and sit for a strip of photos in each.

I know about the ones at Cargo (one of my favorite stores in Portland) and the Ace Hotel downtown. The one at Cargo hasn’t been there for quite some time (RIP)—more than a year, at least. The one at the Ace still prints in black and white, which I appreciate. Unfortunately, it’s no longer film, the color is different, the dimensions are a little weird, and it went up in price (though you do get two strips (different photos on each strip) instead of one now). Here’s a side-by-side of strips printed by the old Ace photobooth and the new one.

Two photo strips on top of a closed silver laptop. Both strips are black and white, though the coloring is different, as are the dimensions of the frames and number of frames per strip.

4. Portable scanner 

Last summer I saw this tweet of a New Yorker taking a portable scanner around the city. This type of project is extremely my shit. I think it’d be fun to do something similar.

5. Portland Movie Theater Project 

About six weeks ago, I, a person who cannot sit through a movie to save a life, decided I wanted to watch a movie in each of Portland’s historic or independently-owned movie theaters (there are 16 by my count). Initially, I planned to start in January. And then I changed my mind.

A small, historic movie theater is dimly lit by two beehive-inspired flush-mount light fixtures. The name of the movie, CONCLAVE, appears on the screen in a green-tinted light yellow font. The letters are tall and skinny, sans serif, and all-caps. The screen is flanked by curtains that appear to be a similar color as the title of the movie that's on-screen. A red carpeted walkway and the tops of empty seats are visible in the foreground.

I got started that week (Thanksgiving week) and knocked out four movies at four theaters before Sunday (Conclave was the first (and Sam Irby’s Instagram review of it made me laugh)). And then, in the weeks that followed, I saw two more movies at two different theaters. Six down, 10 to go.

6. Reread my favorite books from my youth

This was something I’d intended to do in 2024. Life had other plans. In the meantime, I’ve managed to get my hands on four of the five books on this list that I remember the titles of (I’m certain there are more than five books I loved while growing up, I just don’t remember them (it’s the trauma)). Once I have the brain space for this project, I just need to pick one up and start.

7. Sidewalk Joy Map

Portland has tons of Little Free Library-style installations, galleries, dioramas, and exchanges for all sorts of things: books, of course, and also handmade ceramics, keychains, mini art galleries, plants and seeds, puzzles, toys and trinkets, VHS tapes, yarn and other fiber arts supplies, etc., etc., etc. A bunch of them—more than 100 at the time of writing—are catalogued by the PDX Sidewalk Joy project. Once the weather is warmer and drier, I’d like to use the Sidewalk Joy Map and accompanying PDF, which includes descriptions of each of the locations on the map, to visit as many as I can this year, ideally by walking and biking around the city. (This is such an incredible project—a huge thank you to Rachel and Grant, the people who started it and keep it going.)

@tindertisements postcards

At the start of 2024, I wrote about three creative projects I wanted to work on throughout the year: I wanted to make a candle from the leftover wax of bunch of other candles of the same scent, I wanted to finish transcribing a 101-year-old diary I found a few years ago at a local vintage mall, and I wanted to do something fun with vintage photos I’ve been buying at various vintage stores and stalls and malls around town over the last several years.

I made the candle (and did not enjoy it), I finished transcribing the diary (and absolutely loved it, as well as all the rabbit holes and field trips the project took me on along the way), and, in a true Christmas miracle, I’ve done something fun with the vintage photos I’ve been buying at various vintage stores and stalls and malls around town over the last several years. I present to you, the inaugural (and perhaps only-ever) set of @tindertisements postcards.

A stack of linen postcards sit face up in an open shipping box. Only the top postcard is fully visible. It features a digitized black and white vintage photo of a man dressed in a suit and snappy shoes. His jacket is unbuttoned. One hand is in a trouser pocket, the other on his hip. His head is slightly cocked to one side and he's smiling.

On the front of each postcard, a digitized vintage photo. On the back, a short dating app bio—or portion of one—that I thought was fun and/or funny and/or clever. Most bios are exactly as I found them; some have been lightly edited for capitalization and punctuation.

The back of the postcard in the photo above. In the top left corner it reads, "Jay, 31. Dog dad, no roommates, lavender slut."

This project started almost four years ago on Instagram. I named it @tindertisements—the vast majority of the bios are from Tinder, and dating app profiles are the modern iteration of the hundreds-of-years-old personal advertisement. The Instagram approach quickly fizzled out; I don’t spend a lot of time on the platform, and I wanted to do something with this project that I could hold in my hands. I’m a big fan of both snail mail and quality paper-crafted goods (and also one-of-a-kind items). Postcards just made sense.

A grid of 18 vertical postcards. All feature a digitized black and white photo of a white man.

A closer look at a few of the pairings:

On the left, the front of the postcard: a buff, shirtless man stands on a beach, his hands at his side. Hotels and palm trees are in the background. On the right, the back of the postcard: in the top left corner it reads, "Brett, 27. Send me drunk texts at 2 am so I know it's real."
Brett, 27. Send me drunk texts at 2 am so I know it’s real.
On the left, the front of the postcard: a woman in a long-sleeved dress stands near a tree. A body of water and bushes are behind her. One arm is up on the tree, the other is against her body. On the right, the back of the postcard: in the top left it reads, "Katya, 28. My wife says I should fuck more goth boys."
Katya, 28. My wife says I should fuck more goth boys.
On the left, the front of the postcard: a man wearing a suit, an overcoat, and a big smile stands against a building. On the right, the back of the postcard: in the top left it reads, "Jonathan, 26. Recently on new anti-depressants so we both have the pleasure of meeting the new me!"
Jonathan, 26. Recently on new anti-depressants so we both have the pleasure of meeting the new me!
On the top, the front of the postcard: a woman stands in front of what appears to be a church. She's in a dark long-sleeved dress and wearing a fancy hat with a large brim. She holds a clutch at her chest. On the bottom, the back of the postcard: in the top left it reads, "Sarah, 39. I think many things can be improved with a spreadsheet."
Sarah, 39. I think many things can be improved with a spreadsheet.
On the top, the front of the postcard: A man stands dressed in casual (for the day) clothes, his hands clasped behind him. He's smiling. Behind him, structures that appear to be camping cabins. On the bottom, the back of the postcard: in the top left it reads, "Hayden, 31. I'm into poetry and struggle to understand art theory. Please don't sit on my bed with your outside clothes."
Hayden, 31. I’m into poetry and struggle to understand art theory. Please don’t sit on my bed with your outside clothes.

While I haven’t counted how many bios and photos I have in my collection, I’m pretty certain I have at least 100 of each. Part of my collection lives in an old cigar box (another vintage mall find) on one of my bookshelves.

A vintage cigar box filled with 3x5 cards and vintage photos.

Not all of the photos and bios are paired. Pairing old photos of people from many decades ago with contemporary names and personalities and matching the ages as best you can is a humbling art that takes a ton of time and patience and practice to get good at (I’m still learning). (It’s also quite challenging, it turns out, to find vintage photos of men wearing something other than a military uniform, of people in poses other than standing straight in front of the camera or sat in portrait mode, and of people who aren’t white.) Of the photos and bios that are paired, not all of them became postcards—many of the photos simply aren’t the right dimension. Many more of the not-yet-paired photos will suffer the same fate for the same sad reason. RIP.

There are 33 postcards in the set. I ordered two sets. In one set, the photos are as they were scanned in, have the same font size and placement on the back of every postcard in the set, and are all linen postcards. With the other set, I played around with different levels of contrast with the photos, different font sizes and placements on the back (which you can see in the five examples above), and different paper finishes (matte, pearl, etc.). I made a spreadsheet to keep track of all the different combinations so if I end up ordering any given postcard again, I can make sure I’m using the contrast level, font size and placement, and paper finish that I like best.

Many of these postcards became gifts. I sent a chonky stack of them to my friend and former roommate, who’s been along for the ride since the very start of this project (we lived together during the first year of this project—she joined me on several of my photo-hunting shopping trips and still helps me decide on pairings I’m stuck on, and she’s who’s sent me the glass I used for the candle I made). Like me, she also loves snail mail, quality paper-crafted goods, and one-of-a-kind items. I know she’ll enjoy sending these postcards to folks in her life (or saving them for herself). A few more will go to other faraway friends to whom I’ve sent a few pieces of random happy mail throughout the year each year since the start of the pandemic. The rest will continue to hangout at home with me and their siblings—my greeting card collection—until I have reason to send or gift them.

* * *

This project was hugely inspired by Minor Phrases, an old Tumblr project that has also found a home on Instagram, and much of Sophie Calle‘s work, especially her 2020 piece On the Hunt (an archived version of the original article on the piece, which features more images of the actual work, is here).

Additional related reading: 15 amazing personal ads from the ’90s, a Longreads essay on the evolution (through the mid-2010s) of the personal ad, and one editor’s favorite London Review of Books’ personal ads.

My 2025 to-do

I don’t make new year’s resolutions. Instead, I make a new year’s to-do list comprised of a single, massive undertaking. Then, I break the overall undertaking into smaller and smaller groups of tasks, order them hierarchically, and work away at it all, bit by bit, until the project is done (or I give up).

My 2024 to-do was “get my affairs in order.” You know, estate planning. I have neither an estate to speak of nor plans nor a desire to become incapacitated or die any time soon. Even so, I’m a single parent with no family and few friends (and none who know me well enough or live close enough to take over if I were to become incapacitated or die any time soon) and a history of mental illness. Plus, there’s the ongoing COVID pandemic, the likely incoming bird flu pandemic, and climate collapse. So, even though I don’t have plans or a desire to become incapacitated or die any time soon, I recognize that these things are not, ultimately, in my control, and I made it my mission this year to plan as best I could for the inevitable.

This was a deeply uncomfortable undertaking. It was also an important and necessary one. After a year of difficult work—I had to stop and take weeks-long breaks several times throughout the year because thinking about these things often triggered my OCD (existential subtype) and derealization, and the administrative aspect of estate planning is not compatible with my autistic executive dysfunction—I managed to check this to-do off my list at the eleventh hour (yesterday!). Thank fuck.

In 2025, I want to tackle my digital photo and video organization and storage. Like 2024’s to-do, this will be a massive undertaking. I anticipate it will also be massively frustrating at most points and massively rewarding and helpful once it’s complete. (I’ve been trying (“trying”) to tackle this task since, like, 2018 as part of a larger digital decluttering project I’ve been very slowly chipping away at. It has always felt too overwhelming. Getting my affairs in order also felt incredibly overwhelming and I managed to do it anyway. I’m hoping the sense of achievement and ability that crossing that to-do off my list gave me helps me finally get to the finish line with this project, too.)

I’m not yet sure how I’ll approach this thing because I haven’t yet completely mapped out the project. I do know that my first steps will be to figure out where all my digital media is, and then, before I start fucking around with it, back it all up.

Completing these two steps will be challenging considering several of my memory cards are missing or lost (RIP), a not insignificant amount of media (about eight years’ worth) is saved locally on an old laptop that I don’t currently have physical access to (it’s in a co-parent’s garage, thousands of miles away) and may not actually even work anymore, my old Dropbox account isn’t downloading/exporting files correctly (and their support team can’t figure out why), and I have a bevy of photos that now exist only online with photo storage services I don’t remember the names of and maybe don’t exist anymore. And then there’s the headache of the media that I do currently have access to, which, at roughly 130,000 photos and videos, is beyond overwhelming.

Eventually, this undertaking will also involve distinguishing iPhone media from GoPro media from “real” camera media (this is something that is important to me right now; it may not be once I get going with this project); going through all my screenshots and probably deleting most of them; figuring out offline backup solutions; and drafting a README document that explains where everything is and how it’s organized so that when the time comes my kids can easily find what they’re looking for.

The end result of this project doesn’t need to be perfect. It just needs to work better than what I’m doing now: Whatever the solution, it should be able to adapt to changes (as best as can be anticipated) in technology, our access to it (I am deeply concerned about the future of the internet), and how we use it; it should be able to adapt to my needs; it should include both on- and offline redundancy; and it should be easy and economical to use, maintain, and back up. Data privacy and security, especially in regard to (1) citizen surveillance and (2) customer data being used to train AI, is also very important to me. Unfortunately, both of these things seem ultimately unavoidable.

Because this to-do overlaps so heavily with the types of things I’ve shared so far here on the blog—memorykeeping, other creative and creative-ish projects, small adventures I take (or find) myself on—I’m sharing about it here on the blog, too. Partly to help myself stay focused on this monumental task, and partly in case it’s the push someone else needs to get going—or pick back up—with their own similar effort. Progress report to come.

Sending Smiles: a mini zine

This summer, I went for a lot of walks. I took tons of photos during those walks, including of the various sidewalk smiley faces I spotted. And then I made a mini zine of some of them 🙂

A sheet of paper with images of sidewalk smiley faces that hasn't yet been folded into a zine and a smiley face greeting card atop my desk.

This was my first-ever attempt at making a zine and I’m both pleased and surprised to report that I’m happy with how it turned out (a miracle). I used a single sheet of paper and followed this tutorial from Austin Kleon on how to fold and cut it (he rips his, I cut mine).

Before I started printing, I used an unfolded one-page zine from my collection to sketch a little diagram on a post-it note to make sure I ordered and oriented my pages correctly. Then, I made a template in Photoshop Elements. Because my regular-degular printer doesn’t do full-bleed printing, I fucked around a bit with the sizing and spacing of each page/rectangle layer in Photoshop to try to get the white border as uniform as possible on all sides of each page. Because I have zero actual art skills—I can’t sketch or draw or paint to save my life (sad!)—the front of the zine is a scan of the front of a greeting card from my collection that happens to very perfectly fit the smiley face theme.

I printed the front panel in color and the rest in black and white. The smiley faces in the last spread are a little hard to see in the accompanying photo—the one on the left is jack-o’-lantern-esque, the one on the right is in line with the cracks in the concrete. My favorite smilies are—in order—the one on the right side of the second spread (third pic below) and the one on the left side of the first spread (second pic below).

Front cover of my "sending smiles" mini zine, featuring the front of a smiley face greeting card that I scanned in and sized down to fit the zine.
First spread of my "sending smiles" zine. A different sidewalk smiley face is printed in black and white on each page.
Second spread of my "sending smiles" zine. A different sidewalk smiley face is printed in black and white on each page.
Third spread of my "sending smiles" zine. A different sidewalk smiley face is printed in black and white on each page.
Back cover of the "sending smiles" zine, featuring a peace sign, a heart, and a smiley face drawn into concrete.

Originally this mini zine was going to be an edition of one—it was going to be a gift for only my former roommate, to whom I texted all these photos in real time as I found them and who always enjoyed them so much. I decided to print a copy for another friend in New York after a recent long phone call that helped encouraged me to start making and memorykeeping and blogging again. And then I decided to also print copies for each of my three kids. For the two who aren’t currently here with me, I bought these fun smiley face greeting cards at Powell’s to send the zines in. So cute!

Two hot pink greeting cards with 5 rows of 4 yellow smiley faces each covering the front of the card.

Things Like That Don’t Happen Here: an unfinished project

CW: rape, sexual assault

I have a lot of ideas for creative projects that I don’t follow through on for one reason or another. Mostly because I have no confidence. And also because I often lack the knowledge, technical skills, and/or network (and requisite networking skills) needed to produce the projects I’ve dreamt up. This is one of those projects.

I call it Things Like That Don’t Happen Here. It’s the beginning of a collection of photos of places at which I’ve been raped and otherwise sexually assaulted—all very normal, regular, everyday places where “things like that,” people like to say and think and believe, don’t happen. Below are the first four photos I took for the project. (Unfortunately, and likely unsurprising to many, I’ve been raped and otherwise sexually assaulted at far more than these four places.)

Four Instax/Polaroid photos face up on a wooden desk. They're arranged in two rows of two photos each. Two photos depict the exterior of different apartment buildings. One photo depicts the inside cap of a pickup truck. The final photo depicts the inside of a public restroom.

I was inspired to create this project almost a decade ago (!!) by the touring art exhibit What Were You Wearing, which displays different outfits—all very normal, regular, everyday outfits—that people were wearing when they were sexually assaulted. “The exhibit is meant to challenge the idea that provocative clothing is the cause of the sexual assault, a stereotype used for victim blaming.” I wanted this project to do something similar. I still want that.

My vision is for this project to be ongoing and community-sourced—an always-accessible, online collection of photos (and maybe accompanying vignettes?) contributed (anonymously, of course) by anyone who wants to share the story of their own sexual assault(s) in this way. I have no idea how to organize or curate or fund such a project. Here’s hoping that publishing this post will help jump start the momentum/motivate me to figure it the hell out.

Flowers for the Howells

In June 2021 I happened upon a page-a-day diary from 1923 at a local antique shop. Because I’m both a nosey (curious) bitch and a sucker for the quotidian, I bought it ($28), brought it home, and worked on and off for the next two and a half years to transcribe every entry, making note as I went of the people, places, and events the diarist documented. Earlier this year I finally finished the task of transcribing and began the work of piecing together context clues to figure out the identity of the diarist.

A small, hardcover diary from 1923. The diary is covered in a darker-ish red linen. "Date Book for 1923" is debossed in the center.

While every page of the diary is thoroughly filled (and most days include a brief weather report at the top of the page), it contains no direct information about the identity of who wrote it: the diarist didn’t write their name anywhere in it, nor did they acknowledge their birthday or provide any other direct clues about their identity. They did, however, include plenty of information about their husband’s identity: his name, his profession, his birthday, and their wedding anniversary. She—given the time and the information available to me, I correctly assumed that the diarist was a woman—also named a few relatives who lived nearby and with whom she and her husband spent much time, as well as her husband’s business partner. This was plenty of information for me to easily and quickly figure out who she was. Or, rather, to figure out her name: Marie Howell (née Cline).

The diary lies open on a wood desk. It's open to the pages documenting Thursday, May 10, 1923, and Friday, May 11, 1923. Both pages are completely filled with cursive in ink faded to green.

When I first found the diary, my plan was to transcribe the entire thing before the end of 2022 and then, to mark its centennial, post a page a day on one social media platform or another beginning January 1, 2023. Then life happened and my plan…didn’t.

When I picked this project back up at the start of this year and finally figured out the name of the diarist, I did so by cross-referencing a handful of different records and documents—including the diarist’s and her husband’s death certificates, which list each other as each other’s spouses (shout out to my library card and the extremely free access it provides me to Ancestry Library Edition, HeritageQuest, and Oregon newspaper archives dating back to the 1850s). And that’s how I learned the diarist and her husband—Marie and Dwight Howell—are entombed together at an historic Portland mausoleum not far from my apartment. (Let’s be real. Portland is small. Basically everything is ~not far from my apartment.~)

View of a portion of the exterior of Wilhelm's, looking up toward the very clear and blue sky.

Transcribing Marie’s diary and researching the people, places, and events documented in it has been one of the most enjoyable endeavors I’ve undertaken. It’s sent me on so many side quests and down so many research rabbit holes (two of my favorite activities!). I’ve learned an incredible amount of information about how to research, about what city life was like for a white woman married to a white man with a white-collar job in Portland in the early twentieth century, about urban planning and how land is surveyed and mapped (and why Sandy Boulevard cuts diagonal like that), about what Portland used to look like and how it used to function, and about the early history of the Willamette Valley (as we know it today) as settlers began to arrive and stake claims to land that didn’t belong to them.

Stumbling upon this diary truly turned out to be such an unexpected and special gift—it’s always so exciting and humbling to be reminded of how much I still have to learn—and I wanted to do something for Marie to express my gratitude. So, I brought her (and Dwight) some flowers.

Straight-on view of the tombs/niches of Dwight O. Howell (1877-1946) and Marie C. Howell (1877-1961), with a beautiful bouquet of red dahlias in the affixed vase.

Marie wrote several times in her diary that year about her and Dwight’s dahlias. Twice she mentioned red dahlias specifically.

Sunday, June 17, 1923. “We arose for all day at 8. Cold baths. Eats at 9:15. At 9:30 Clayton phoned that Gladys has a tooth-ache. They came over. In mean time Dwight & I had made the house look pretty good. After they arrived Dwight & Clayton trimmed & weeded the dahlias.”

Tuesday, July 24, 1923. “We were up at 5:30. Mush and started on our way at 7. Some sun-of-a-gun picked our fancy dahlias that were only half bloomed yesterday.”

Tuesday, Sept. 4, 1923. “Breakfast at 7. Then cut the most wonderful bunch of red dahlias.”

Thursday, Sept. 6, 1923. “Up at 6:30. Left home at 8:15. Picked dahlias before leaving.”

Friday, Sept. 7, 1923. “We arose at 6. Cold baths & breakfast. Had sprinkler going until we started to city. Dwight cut a few dahlias, did up our dishes, left home at 7:45.”

Thursday, Oct. 18, 1923. “We were up at 6. Eats 7:15. Office at 8. Took a nice bunch of red dahlias.”

Friday, Oct. 19, 1923. “We were about ready to start but went into yard & tied up 3 bunches of dahlias the wind had blow over.”

Monday, Oct. 22, 1923. “Up at 6. The paper came while I was lighting up, so we read for a short time while rooms were getting warm. Dwight picked a large bunch of dahlias for the office.”

Tuesday, Oct. 30, 1923. “We were up at 6:30. Eats 7:30. Left home 7:45. I gathered a few dahlias to take along.”

Sunday, Nov. 18, 1923. “After breakfast we did up our work & cleaned some [illegible] into yard and took up our dahlias. Put them in basement. Raked up leaves.”

* * *

I don’t know if dahlias in general or red ones in particular were as beloved by Marie as my brain has convinced me they were. It seems like a reasonable assumption that they were: Aside from a single mention of gladiolas, it’s the only flower she writes about, and she does so repeatedly. So, I decided to bring her a bouquet of red dahlias—a custom and stunning arrangement very graciously made by a fellow athlete at the gym where I train who is a very talented flower farmer and florist.

Close-up view of a beautiful bouquet of red dahlias.

Before brining the bouquet to Marie, I took an embarrassing number of photos and videos of it to try to capture its beauty. None of them did it any justice. This thing was STUNNING.

Close-up view of a beautiful bouquet of red dahlias.
Close-up view of a beautiful bouquet of red dahlias.
Close-up view of a beautiful bouquet of red dahlias.

I really tried my best, okay! Please excuse my dusty-ass car, okay! And yes! That’s a plastic protein shaker bottle being used as a temporary vase, leave me alone about it!

An angled view of the Howells' marble tombs/niches and the bouquet of red dahlias in the affixed vase.

Anyway. I hope Marie, who died 63 years ago today, would’ve appreciated this bouquet of red dahlias as much as I appreciate the gift she unwittingly gave me.

* * *

Shout out to the entire staff of Wilhelm’s Portland Memorial, all of whom who were so helpful, hospitable, and gracious with their time (that’s autistic for “they let me autistic monologue (infodump) their ears off”) when I stopped in earlier this week.

I DIYed a candle and it only cost me $336.76

As noted in my previous post a mere eight months ago, I’ve wanted to DIY my own candle using the leftover wax of a bunch of candles (of the same scent) that I’ve burned to the bone over the last couple years for months and months and months now and guess what bitch I finally did it. Behold.

My disembodied hand holds against a wood table with a vase full of flowers on it a small candle that I made using the leftover wax from eight candles (of the same scent) and a decorative glass gifted to me by my former roommate.

Here’s how I did it, and you can too:

Step 1: Head down to your local Rejuvenation and fork over $39* for a candle because it’s the best-smelling candle you’ve ever smelled in your entire life (it’s also the only thing in the store you can afford).

A bright red brick wall of the exterior of a building reads "REJUVENTATION" in white paint against a clear, very blue sky.

Step 2: Burn it for about an hour almost every evening before bed until it’ll no longer light.

A candle on a nightstand burns in a dark bedroom.

Step 3: Move the burned-out candle to the back of one of your kitchen cabinets for safekeeping because you can’t bear to throw it out—it smells too good, the packaging is too pretty, it cost too much money.

Step 4: Repeat Steps 1 through 3 seven more times over the next 18-ish months.

Seven candles of the same scent, burned all the way to the bottom, stashed in the back of one of my kitchen cabinets, waiting for me to get my shit together and make a candle using the melted-down leftover wax in these eight candles.

Step 5: Quit the highest paying job you’ve ever had that provided you with the expendable income to regularly buy and burn a $39 candle.

Step 6: Intermittently grab one of the burned-out candles from your kitchen cabinet and huff it, sad to your core that you can no longer afford to regularly buy and burn a fresh replacement.

Step 7: Spend several months wondering if you have enough leftover wax from the eight burned-out candles in the back of one of your kitchen cabinets to make a candle because you can no longer afford to regularly buy and burn a fresh replacement.

Step 8: Spend several more months researching candle wicks, overwhelmed by the options and unable to make a decision about which to buy.

Step 9: Unexpectedly receive a package in the mail from your former roommate that contains the cutest little Old Fashioned glass that would make the perfect candle holder.

My disembodied hand holds a small decorative glass unexpectedly gifted to me by my former roommate. Shiny gold wrapping paper is in the background.

Step 10: Say “fuck it” and spend $24.76 (including standard shipping) on a sample pack of wicks of varying lengths, and a pack of little metal bars that holds the wick in place, so you can DIY your own candle using $312 of melted-down leftover wax from eight $39 candles and the cute little glass your former roommate sent you as a surprise gift.

An overhead view of eight candles of the same scent burned down to the bottom. The candles are on a wooden cutting board waiting for me to place them one or two at a time into a pot of boiling water to melt down the wax so I can pour it into the decorative glass gifted to me by my former roommate to make a candle.

*Due to inflation, this candle now costs $42 and the entire project will now cost you $360.76 (or $368.71 if you have to buy your own Old Fashioned glass) 🙁


Okay now that the fun part of the post is over I need to be so for real with you.

I consider myself a creative person. I absolutely do not consider myself an artistic or crafty person. My brain is good at coming up with ideas and much less good at bringing those ideas to life, especially when doing so requires using my hands in a traditionally artistic or crafty way. Drawing, painting, ceramics, knitting, sewing, needlepoint, cross-stitch, etc. I love the idea of doing those things in theory. I absolutely do not enjoy actually doing any of those things in practice. And I’ve tried! I’ve tried on my own, and I’ve tried taking classes. Hands-on making just isn’t my thing.

And yet, I still felt compelled to make this candle. It seemed like an unfuckupable project. And it was. It’s very hard to fuck up melting down wax in one container and pouring it into another.

I thought/hoped that doing a relatively simple and unfuckupable, hands-on crafty project might change how I feel about doing hands-on crafty stuff because I really do love the idea of being artsy and crafty. Unfortunately, a project being unfuckupable does not guarantee it will be fun or enjoyable. I didn’t fuck up this project, and I also didn’t have fun or enjoy doing it. I was mostly just stressed out and annoyed the entire time over how much time and space in my extremely tiny kitchen that has almost no counter space it took to melt down all the wax in eight different containers. They joy was not, as they say, in the journey; it was in the destination.

Will I do this type of project again? Maybe. If I end up with a bunch of burned-out candles of the same scent, sure. What I won’t be doing is picking up candle-making as a regular hobby, and it certainly won’t be something I try to make money from. Sorry folks, no Candles by Kelsey™ forthcoming.

Also, can I just say that I’m very happy that I didn’t pay to take a local candle-making class because I’m almost certain that I would’ve felt like that money was wasted and that I wouldn’t have enjoyed the group setting and social dynamics of the class, or the overall sensory experience of the space, because: autism.

(I know it sounds ridiculous to say I would’ve felt like taking a candle-making class was wasted money when I spent almost $350 doing this project on my own BUT I spent most of that $350-ish on the same candle with a scent I LOVE and got to enjoy for months and months and months as I burned through those eight candles. There’s no guarantee that I would like any of the available scents at an in-person candle-making class, and it’s more likely than not that my autistic brain would be overwhelmed by the assortment of available scents. And honestly, the at-home version is incredibly straightforward: melt wax (that’s already scented with a scent you love), pour into container, let sit to harden.)

Along with reinforcing my conviction that hands-on arts and crafts are not for me, this project also reinforced my appreciation and admiration for people who are good at and passionate and knowledgable about making things with their hands. I’d much rather spend my money (when I can afford to) on quality crafted goods than try to make them on my own. I want to spend my time doing things I enjoy, and I simply—and, sadly—don’t enjoy hands-on making/crafting.

Three creative projects I want to work on this year

For the last few years I’ve had the same three creative projects on my to-do list. I’d like to make some progress on them this year. One is pretty straightforward and has a very clear “finished” end state. The other two projects are less straightforward because I don’t yet know how I want to “do” them so I don’t yet know what either will look like when they’re “finished.”

Make a candle from a bunch of old candles of the same scent

This is the most straightforward project on my list. It’s also the least expensive and requires way less time, thought, effort, and energy than the other two. And it’s exactly what it sounds like: I want to make a candle using the leftover wax from a bunch of old candles of the same scent that I have stashed away in one of my kitchen cabinets. And I want to pour the candle in a new-to-me container that I thrift.

Seven burned-out candles of the same scent stacked in two rows in one of my kitchen cabinets. The candles are LINNEA brand and "vintage" scent.

1923 daily diary transcription

A few years ago I found a “page-a-day” type diary at a local antique mall. It’s from 1923 and there’s an entry for every single day. I want to finish transcribing it and then…I don’t know. There’s at least one fun project in there. I’m just not sure what it is yet.

A page-a-day diary from 1923 opened to the entry for Saturday, January 20, 1923. The entry is written in cursive and in pen that's faded to a green-ish color.

Vintage photos

Around the same time I found the 1923 diary, I began buying vintage photos from antique malls and thrift stores. I know what I want to do with them. I don’t yet know what media format I want to use. We’ll all just have to wait and see.

A basket of vintage photos, mostly black-and-white.